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Schoenberg's Correspondence with American Composers is the first edition of all known and available letters between Arnold Schoenberg and over seventy American composers written between 1915 and 1951, in English and English translation and with commentary. In six chronologically organized chapters, the correspondence first casts new light on Schoenberg's contacts with American composers before 1933, including correspondence with students and champions of his music (Israel Amter, James Francis Cooke, Henry Cowell, Edgar Varèse, and Adolph Weiss among others). The letters after 1933 show how Schoenberg gradually built a network of composer colleagues and friends, among them Mark Brunswick, Oscar Levant, Roger Sessions, Nicolas Slonimsky, Gerald Strang, with whom he discussed compositional ideas, specific musical works and writings, performances and the publication of his compositions. These letters also provide insight into his ideas about teaching in private settings, at the Malkin Conservatory and the University of California.The correspondence of his last years illuminates how the reception of Schoenberg's music in the United States was flourishing and how he attracted a growing number of disciples exploring twelve-tone composition. The book also qualifies the concept of and Schoenberg's association with the Second Viennese School. Schoenberg's Correspondence with American Composers not only illuminates a varied and vivid epistolary style, but clearly demonstrates Schoenberg's far-reaching connections in the American music world.
This volume investigates the professional and personal relationships between Arnold Schoenberg and his American contemporaries to clarify his influence on the development of 20th-century music in the United States. Sabine Feisst, a scholar specializing in musicology, compiles and annotates a comprehensive collection of letters spanning 1915 to 1951. By analyzing these primary sources, the text argues that Schoenberg’s presence in America was not an isolated exile but a period of active engagement with a diverse network of composers, students, and institutional figures.
What You Will Find
Scope Limits
Musicologists and historians view this collection as a vital primary source for understanding the mid-century American musical climate. Readers frequently note the academic density of the prose, which serves as a foundational reference for those studying the evolution of modernism in the United States.
Page Count:
976
Publication Date:
2018-01-01
Publisher:
Oxford University Press
ISBN-10:
0190904569
ISBN-13:
9780190904562
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