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Contemporary Art Can Be Baffling And Beautiful, Provocative And Disturbing. This Pioneering Book Presents A New Look At The Controversial Period Between 1945 And 2015, When Art And Its Traditional Forms Were Called Into Question. It Focuses On The Relationship Between American And European Art, And Challenges Previously Held Views About The Origins Of Some Of The Most Innovative Ideas In Art Of This Time. Major Artists Such As Jackson Pollock, Robert Rauschenberg, Andy Warhol, Joseph Beuys, Gerhard Richter, Louise Bourgeois, Cindy Sherman, Jeff Koons, And Shiran Neshat Are All Discussed, As Is The Art World Of The Last Fifty Years. Important Trends Are Also Covered Including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, And Performance Art. This Revised And Updated Second Edition Includes A New Chapter Exploring Art Since 2000 And How Globalization Has Caused Shifts In The Art World, An Updated Bibliography, And 16 New, Colour Illustrations.
How did the trajectory of art evolve from the post-war era of 1945 through the globalized landscape of 2015? David A. Hopkins, a scholar of contemporary art, examines the shifting paradigms of artistic production by analyzing the interplay between American and European movements. He challenges established narratives regarding the origins of innovative practices, arguing that the traditional boundaries of art were fundamentally dismantled during this seventy-year period.
What You Will Find
Scope Limits
Experts recognize this text as a comprehensive survey that effectively synthesizes complex art movements for students and enthusiasts alike. Readers frequently note the academic density of the prose, which provides a rigorous framework for understanding the transition from modern to contemporary art practices.
Page Count:
320
Publication Date:
2018-01-01
Publisher:
Oxford University Press
ISBN-10:
0191084484
ISBN-13:
9780191084485
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