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Contemporary art can be baffling and beautiful, provocative and disturbing. This pioneering book presents a new look at the controversial period between 1945 and 2015, when art and its traditional forms were called into question. It focuses on the relationship between American and European art, and challenges previously held views about the origins of some of the most innovative ideas in art of this time. Major artists such as Jackson Pollock, Robert Rauschenberg, Andy Warhol, Joseph Beuys, Gerhard Richter, Louise Bourgeois, Cindy Sherman, Jeff Koons, and Shiran Neshat are all discussed, as is the art world of the last fifty years. Important trends are also covered including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and Performance Art. This revised and updated second edition includes a new chapter exploring art since 2000 and how globalization has caused shifts in the art world, an updated Bibliography, and 16 new, colour illustrations.
This book investigates the evolution of contemporary art from 1945 to 2017, questioning how traditional artistic forms were dismantled and redefined during this period. David A. Hopkins, a scholar of contemporary art, utilizes a comparative framework to analyze the interplay between American and European artistic movements. He challenges established historical narratives regarding the origins of innovation, providing a structured analysis of how global shifts and cultural changes influenced the trajectory of art over seven decades.
What You Will Find
Scope Limits
Experts and academics frequently cite this work as a standard introductory text for understanding the complexities of post-war art history. Readers often note the clarity of the prose, which manages to synthesize dense theoretical concepts into a format accessible to students and general enthusiasts alike.
Page Count:
348
Publication Date:
2018-01-01
Publisher:
OUP Oxford
ISBN-10:
0191084492
ISBN-13:
9780191084492
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