
At the outbreak of the Second World War Vladimir Nabokov stood on the brink of losing everything all over again. The reputation he had built as the pre-eminent Russian novelist in exile was imperilled. In Nabokov and his Books, Duncan White shows how Nabokov went to America and not only reinvented himself as an American writer but also used the success of Lolita to rescue those Russian books that had been threatened by obscurity. Using previously unpublished and neglected material, White tells the story of Nabokov the professional writer and how he sought to balance his late modernist aesthetics with the demands of a booming American literary marketplace. As Nabokov's reputation grew so he took greater and greater control of how his books were produced, making the material form of the book—including forewords, blurbs, covers—part of the novel. In his later novels, including Pale Fire, Ada, and Transparent Things, the idea of the novelist losing control of his work became the subject of the novels themselves. These plots were replicated in Nabokov's own biography, as he discovered his inability to control the forces the market success of Lolita had unleashed. With new insights into Nabokov's life and work, this book reconceptualises the way we think about one of the most important and influential novelists of the twentieth century.
This book investigates how Vladimir Nabokov navigated the tension between his late modernist aesthetic principles and the commercial pressures of the mid-twentieth-century American literary marketplace. Duncan White, a scholar of twentieth-century literature, utilizes previously unpublished archival material and correspondence to trace Nabokov's transition from an exiled Russian novelist to a prominent American author. The work argues that Nabokov actively managed the material production of his books—including paratexts like blurbs and covers—to maintain artistic control even as his commercial success grew.
What You Will Find
Scope Limits
Scholars and critics recognize this work as a significant contribution to Nabokov studies, particularly for its focus on the intersection of authorship and the publishing industry. Readers frequently note the academic density of the prose, which is well-suited for researchers and students of literary history.
Page Count:
248
Publication Date:
2017-01-01
Publisher:
OUP Oxford
ISBN-10:
0191081884
ISBN-13:
9780191081880
No comments yet. Be the first to share your thoughts!