This work investigates the historical and conceptual origins of the modern biographical approach to William Shakespeare, questioning the validity of constructing a life story from his plays and poems. Margreta De Grazia, a noted scholar in early modern literature, examines how the desire to find the 'man behind the work' emerged long after the author's death. She argues that the biographical impulse is a product of later centuries rather than a reflection of Shakespeare's own historical context or intent. By analyzing the lack of contemporary documentation, she challenges the traditional methods used to fill the gaps in the playwright's personal history.

Scholars frequently cite this text as a significant intervention in Shakespearean studies, noting its rigorous challenge to the biographical tradition. Readers often observe the academic density of the prose, which is intended for those already familiar with the history of literary criticism.