Author Description

Cover -- Feeling Revolution -- Copyright -- Dedication -- Acknowledgements -- Contents -- List Of Illustrations -- Glossary And Abbreviations -- Note On Transliteration -- Introduction -- Genre And Rivalling Hollywood -- Emotional Meanings -- Theorizing Affect -- 1 Emotional Education -- Re-evaluating Feeling: The Rise Of A Developmental Conception Of Emotion -- Probing The Emotions Of The Spectator -- Genres Of Feeling -- Audience Guidance -- Thematic Planning: Genre Film 'soviet Style' -- 2 'if We Cannot Laugh Like That, Then How Can We Laugh?' The 'problem' Of Stalinist Film Comedy Learning To Laugh In A Different Way -- Cheerful Comedy -- 'the Most Underdeveloped Part Of Soviet Cinematography' -- 'laughing Through Tears' -- The 'laughter Of Victors' -- An 'impossible' Genre -- Conclusion -- 3 Learning To Hate Paranoia And Abjection In The Stalinist Thriller -- The Conspiracy Thriller's Return -- Abject Thrills -- Polarizing 'us' And 'them' During The Cold War -- The 'dark Turn' In Soviet Cinema -- Closer To The Enemy -- Conclusion -- 4 Manufacturing Happiness The Production Film And The Heroic Biography In The Era Of 'care For The Person' Happiness, Labour, And The Stalin-era Production Film -- A New Type Of Politics: Sergei Iutkevich's Miners And Dziga Vertov's Lullaby -- The Heroic Biography: Mikhail Kalatozov's Valerii Chkalov -- Re-asserting 'the Happiness Of Sacrifice' In The Post-war Period -- Conclusion -- 5 Pathos, Powerlessness, And The Persistence Of The Melodramatic Mode -- The 'happy Ending' Drama Of Everyday Life -- Melodrama In The Guise Of Literary Adaptation -- Stalinist Gothic: Sergei Gerasimov's Masquerade -- Melodrama At War -- The Zhdanovshchina And The 'waning Of Affect' -- Conclusion Epilogue Formless Feeling -- Bibliography -- I. Archives -- Ii. Journals And Newspapers -- Iii. Films -- Iv. Published Primary Sources And Document Collections -- V. Secondary Sources And Theoretical Works -- Index Anna Toropova. Electronic Reproduction. Oxford