
Cover -- Title Page -- Copyright Page -- Contents -- List Of Illustrations -- Acknowledgements -- A Note On The Text -- 1 Introduction -- 2 Authorship, Authority, And Agonism: Antiquity And Writing The Self -- 3 The Paradoxes Of Modesty: Historical Fiction And The Female Line -- 4 'classics' As Commodity: Antiquity And The Literary Market -- 5 Salon Verse And The Philosopher-poet -- 6 Ancients And Moderns: Conteuses As Literary Critics -- 7 The Career Classicist: Gender And Translation -- 8 Conclusion -- Bibliography -- Index Helena Taylor. Also Issued In Print: 2024. Includes Bibliographical References And Index. Electronic Reproduction. Oxford Available Via World Wide Web.
This book investigates how early modern French women writers engaged with classical antiquity to negotiate their own intellectual authority and literary identity. Helena Taylor, a scholar of early modern French literature, examines the intersection of gender, education, and the reception of classical texts. By analyzing a range of genres—from historical fiction to salon verse—Taylor argues that women did not merely receive classical influence but actively repurposed it to challenge contemporary social and intellectual constraints.
What You Will Find
Scope Limits
Scholars in the field of early modern French studies recognize this work as a significant contribution to the understanding of gendered intellectual history. Readers frequently note the academic density of the prose and the rigorous archival research supporting Taylor's arguments.
Page Count:
0
Publication Date:
1900-01-01
Publisher:
Oxford University Press,
ISBN-10:
0191966746
ISBN-13:
9780191966743
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