This book investigates the fundamental technical resources of the draughtsman and the inherent significance of the materials used in the act of drawing. Philip Rawson, an established authority on art and design, provides a comprehensive analytical framework that bridges the gap between the physical act of mark-making and the conceptual intent of the artist. By examining how specific tools influence the final output, the author argues that a deeper understanding of medium mechanics is required to fully appreciate the visual language of drawing.

Critics and art historians frequently cite this work as a foundational text for understanding the mechanics of drawing. Readers often note the academic density of the prose, which provides significant depth for those seeking a rigorous examination of the medium.