This work investigates the historical development, stylistic evolution, and cultural significance of Ukiyo-e, the genre of Japanese woodblock prints that flourished during the Edo period. Richard J. Lane, a recognized scholar in the field of Japanese art, utilizes his extensive research to provide a comprehensive framework for understanding the technical processes and thematic content of these prints. The text serves as both a historical survey and a reference tool for identifying key artists, schools, and motifs within the floating world tradition.

Scholars and art historians frequently cite this volume as a foundational reference for those beginning their study of Japanese woodblock prints. The inclusion of the illustrated dictionary is often noted for its utility in clarifying complex technical and cultural terminology for non-specialist readers.