Author Description

Since the third edition of The Oxford Companion to the Theatre appeared in 1967, theatre throughout the world, and especially in European and all English-speaking countries, has undergone a series of changes swifter and more far-reaching than at any other time in its history. While maintaining the primary purpose of preceding editions in providing a solid survey of the development of the theatre from its beginnings in primitive ritual to the present day in all countries that have a continuing theatrical tradition, this new edition offers more information on contemporary writers, directors, players, companies, and theatres, both metropolitan and regional. An extensive system of cross-referencing leads the reader to entries containing related information, and a generous bibliography offers aguidance on further reading. Entries dealing with technical subjects emphasize the historical perspective, throwing light on the remarkable accomplishments of earlier practitioners of theatrical illusion: they are illustrated where necessary with diagrams. Over 200 other illustrations are placed in thematically-arranged groups: functioning independently of the text, they show the changes of vision brought to bear on theatrical production over more than 2000 years.