
In this play, the theme of Sopocles' "Oedipus Rex" is skillfully transplanted to African soil. King Odewale's progress towards knowledge of the murder and incest that must be expiated before his kingdom can be restored to ealth is unfolded with a dramatic intensity heightened by the richness of the play's Nigerian setting. It had its first performance in Nigeria at the Ife Festival of the Arts in 1968, has since been staged with great success in other West African countries, and was awarded the first prize in the African Arts/Arts d'Afrique playwriting contest in 1969.
A king faces a devastating prophecy that forces him to confront the reality of his own past and the destruction of his kingdom. King Odewale struggles to identify the source of a plague ravaging his land, unaware that his own history is the catalyst for the suffering. As he investigates the murder of his predecessor, he encounters logical and physical constraints rooted in the inevitability of fate and the cultural expectations of his people. The narrative framework follows a classical tragic structure, adapted to reflect the social and political dynamics of a Nigerian setting. The protagonist must navigate the tension between his authority as a ruler and the hidden truths that threaten his identity.
Discussion often centers on the effectiveness of transposing Greek tragedy into an African context. Readers frequently highlight the play's ability to maintain the emotional weight of the original source material while grounding it in local customs and social hierarchies. Critics often point to the intensity of the dialogue and the clear pacing of the revelation scenes as key strengths of the work. The play is widely regarded as a significant contribution to post-colonial dramatic literature. Many readers find the exploration of guilt and destiny to be both accessible and thought-provoking.
Page Count:
72
Publication Date:
1971-01-01
Publisher:
Oxford University Press
ISBN-10:
0192113585
ISBN-13:
9780192113580
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