This work investigates the historical development, stylistic evolution, and functional significance of ecclesiastical metalwork within the English Church from the arrival of St. Augustine to the early nineteenth century. Charles Oman, a noted authority on metalwork and former curator at the Victoria and Albert Museum, utilizes extensive archival research and physical examination of surviving artifacts to document the transition of liturgical vessels. The text establishes a chronological framework that links specific design shifts to broader changes in religious practice and social history.

Experts recognize this volume as a foundational reference for the study of English silversmithing and church history. Scholars frequently cite the work for its meticulous cataloging and its ability to contextualize decorative arts within the liturgical requirements of the period.