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"The inadequate acknowledgement of women short story writers in standard anthologies is a cause for wonder or affront. How else, indeed, can you view it, given the riches overlooked?" So states editor Patricia Craig in her introduction to The Oxford Book of Modern Women's Stories, a rich, wide-ranging collection that, at last, redresses this historical imbalance by bringing together forty examples of the very best women's stories--from established authors such as Edith Wharton, Virginia Woolf, Eudora Welty, and Katherine Mansfield, to such modern masters as Margaret Atwood, Alice Munro, Bharati Mukherjee, and Amy Tan.Here readers will find humor, passion, eccentricity, forcefulness, elan, intellectual vigor, subversion--indeed every shading of tone and mood, from ironic detachment to full-blooded engagement. Each writer has her own, perfectly realized angle of vision, whether it's the zestfulness of Angela Carter, the breathtaking evocations of Willa Cather, the quirkiness of Grace Paley, or the pungency of Flannery O'Connor.Breaking with tradition, editor Patricia Craig offers few stories about traditional "women's" topics. Instead, the entries in this collection range from an unforgettable tale of racism in South Africa to explorations of adultery, immigration, the importance of cultural identity, and the rootlessness of American cities. Craig also includes some provocative offerings from outside the mainstream of twentieth century fiction--a ghost story by Edith Wharton, a delightful fairy tale, and several engaging historical pieces.Eloquent and captivating, The Oxford Book of Modern Women's Stories offers a dazzling assortment of classic stories and overlooked gems that will amuse, intrigue, and challenge every lover of fine fiction.
This anthology serves as a corrective intervention, challenging the historical marginalization of female voices within the canon of twentieth-century short fiction. Editor Patricia Craig curates a diverse selection of forty narratives, positioning established literary figures alongside contemporary masters to demonstrate the breadth and technical range of women's writing. The collection operates as a multi-vocal framework, utilizing various narrative perspectives and stylistic approaches to examine themes that extend far beyond traditional domestic spheres. By prioritizing intellectual vigor and thematic variety, the anthology forces a re-evaluation of the standards used to define literary significance.
Discussion often centers on the effectiveness of Craig's editorial choices in balancing well-known classics with overlooked literary gems. Readers frequently highlight the collection's refusal to adhere to narrow definitions of women's writing, noting that the stories tackle complex global issues like immigration and systemic racism. Critics often point to the wide range of tones, from the quirkiness found in Grace Paley's work to the pungency of Flannery O'Connor, as a testament to the depth of the anthology. The pacing is generally described as varied, reflecting the distinct styles of forty different authors rather than a singular narrative flow. Many readers appreciate the inclusion of experimental pieces, which adds a layer of unpredictability to the reading experience.
Page Count:
544
Publication Date:
1994-09-29
Publisher:
Oxford University Press
ISBN-10:
0192142321
ISBN-13:
9780192142320
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