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This is one of Bartók's most famous series of piano pieces, whose fame is probably greater than either its popularity with pianists, or the frequency with which it occurs on concert programmes. When it was written [in 1908] it triggered sensation and scandal in musical circles. The series as a whole (its Hungarian title was originally "14 Piano Pieces", Bartók later converting to the use of the word bagatelle in Hungarian too) is not a true cyclic composition that can only be played in its entirety and with movements in the original order, but rather a more loosely ordered collection, an anthology. Some of the pieces belong together. But the varied succession of tempos and characters, the 'Gradus ad Parnassum' principle, generally proceeding from the easier towards the technically or musically more difficult, could also be a reason for the volume's ordering. Publisher ID: Z934 Instrumentation: Piano Instrumentation: Piano
This collection investigates the evolution of early twentieth-century piano composition through the lens of Bartók's experimental harmonic language. The work serves as a pivotal document in the composer's transition toward modernism, utilizing a series of short, self-contained pieces to explore innovative tonal structures and folk-inspired rhythmic motifs. Bartók, a renowned ethnomusicologist and composer, presents these pieces as a pedagogical and artistic progression, challenging the traditional constraints of the piano repertoire.
What You Will Find
Scope Limits
Musicologists and pianists frequently cite this collection as a foundational text for understanding the development of Bartók's mature style. Experts highlight the volume's historical significance in triggering early twentieth-century musical debates regarding dissonance and tonal structure.
Page Count:
48
Publication Date:
1953-01-01
Publisher:
Editio Musica Budapest Zeneműkiadó
ISBN-10:
0080009344
ISBN-13:
9780080009346
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