This collection examines the pivotal roles of Liu Kang and Ho Ho Ying in shaping Singapore's art history through their writings and criticism. The book presents selected writings from these two influential figures, primarily sourced from the Chinese-language press, offering a vivid documentation of key phases in Singapore's art development. Their contrasting perspectives on modernism and abstraction fueled debates that both reflected and influenced the nation's art scene from the mid-20th century into the 1980s. The writings capture the intellectual discourse that underpinned the evolution of Singaporean art during this formative period.

The writings of Liu Kang and Ho Ho Ying, as presented in this collection, offer a crucial lens through which to understand the development of modern art and criticism in Singapore. Their contrasting viewpoints on artistic movements like modernism and abstraction generated significant discourse, providing a rich historical record of the nation's evolving art landscape. The selection, drawn primarily from Chinese-language publications, highlights the intellectual currents that influenced artists and critics over several decades. This volume serves as an important resource for scholars and enthusiasts interested in the foundational period of Singaporean art.