
Cover -- Staging Touch In Shakespeare's England -- Copyright -- Dedication -- Acknowledgments -- Contents -- Note On Texts -- Introduction: Redefining Touch -- Redefinitions -- Staging Touch -- An Anatomy Of Contact -- 1: Guided By Her Foot, Which Is Basest: Dominance, Submission, And Resistance At The Body's Base -- Spurns Her -- Sweet Wench, Let Me Lick Thy Toes -- Thou Shalt No More / Descend Unto My Foot -- Horsing Foot On Foot -- 2: Lady, Shall I Lie In Your Lap?: Hierarchy, Reciprocity, And The Female Touch -- Thy Head So Childishlie Laid On A Womans Lap Quick, Quick, That I May Lay My Head In Thy Lap -- Lay Then Your Head Upon My Lap Sweet Lord -- Lady, Shall I Lie In Your Lap? -- 3: Untwine Those Arms: Embraces, Marching Arm In Arm, And Contested Intimacy -- Here I Clip / The Anvil Of My Sword -- Haling Of My Lord / From Gaveston -- Arm In Arm, Like Loving Friends[?] -- 4: What Mean These Hands?: Ambivalence, Agency, And Negotiation -- Come, Friendes: Clap Hands, Tis A Bargaine -- Let's Go Hand In Hand, Not One Before The Other -- Let Each Man Render Me His Bloody Hand -- I Give My Hand, And With My Hand, My Heart 5: Makers Of Manners: Rethinking Kissing On The Early Modern Stage -- I Had As Lief They Would Break Wind In My Lips -- You Kiss By Th' Book -- Coda: Reunions -- Bibliography -- Index Alex Macconochie. Includes Bibliographical References And Index. Electronic Reproduction. Oxford Available Via World Wide Web.
This book investigates the cultural and social significance of physical contact in early modern English drama, questioning how touch functioned as a mechanism for negotiating power, hierarchy, and intimacy on the Elizabethan and Jacobean stage. Alex Macconochie, a scholar of early modern literature, utilizes a close-reading methodology to analyze how playwrights and actors employed specific bodily interactions to communicate social status and emotional states to contemporary audiences.
What You Will Find
Scope Limits
Scholars in the field of Shakespearean studies recognize this work as a nuanced contribution to the history of the body and performance. Readers frequently note the academic density of the prose, which is intended for researchers and students of early modern theater.
Page Count:
0
Publication Date:
1900-01-01
Publisher:
Oxford University Press,
ISBN-10:
0192671774
ISBN-13:
9780192671776
No comments yet. Be the first to share your thoughts!