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Poetry. Asian American Studies. "'I wanted to be a priori but I was processed meat.' In Ji Yoon Lee's evisceral-guidebook-cum- cautionary-tale, roadkill reassembles itself into a zombie-dolly, her head screwed to the mouth of a gun, and through this megaphone does battle with the smug autocorrectors guarding English's/the Internet's gates. Language becomes so distressed it eats its own fingers, it makes the datestamp second guess itself, normative syntax shreds to a slasher film, Time a snuff. 'My splice sentence had its guts spilling out.' Lee's sic text, her tic idiolect, is contagious, vectored by the inequity and the iniquity that make the world go round. Coming attractions, I'm coming! The uncanny, now in cans."--Joyelle McSweeney "FOREIGNER'S FOLLY is a bastard child of English, a frolicking anti-colonial translation machine."--Don Mee Choi "Can the 'mommy- simulator' speak? This is a book I've been waiting for! This 'elegy concert' for communication (in the tradition of Theresa Cha and Myung Mi Kim but also Chelsey Minnis and Ara Shirinyan) is painfully funny, vividly cartoon-violent, brilliant and gorgeously paced. At last we have the 'Attempted Project' that demonstrates the failure of each success and the success of every failure of assimilation, exposing the power dynamic of those terms. It's a set of sequences to read aloud, for consolation and encouragement--for who here hasn't 'become an apologizing machine' in the mastery of language... a mastery which is, of course, an enslavement? 'I can't speak without sounding injured'--as the poet notes--and these poems make a space to laugh!"--Laura Mullen
A fractured voice battles the oppressive forces of assimilation and linguistic control. In Ji Yoon Lee's collection, the speaker grapples with the constraints of language, particularly English, as experienced by an Asian American. The text uses visceral imagery, such as a zombie-dolly with a gun for a mouth, to confront the 'smug autocorrectors' of language and the internet. This struggle is depicted as a violent deconstruction of syntax and time, where language itself becomes distressed and self-consuming, reflecting the inequities of the world.
This collection is lauded for its unique voice and its engagement with themes of language, identity, and assimilation. Critics highlight its 'painfully funny, vividly cartoon-violent' nature and its brilliant pacing, positioning it within a tradition of experimental poetry that challenges communication. The work is recognized as an 'elegy concert' for language, demonstrating the inherent failures and successes within the process of assimilation and exposing power dynamics. Readers are drawn to its ability to create a space for laughter and reflection on the 'enslavement' that can accompany language mastery, as the poet notes, 'I can't speak without sounding injured.'
Page Count:
87
Publication Date:
2014-01-01
Publisher:
Coconut Books
ISBN-10:
1938055144
ISBN-13:
9781938055140
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