
For some years after his death in 1940, E.F. Benson was a forgotten man of English letters, remembered only by a few enthusiasts of his supernatural fiction. But over the last decade this has all changed, as successful TV adaptations of his comic masterpieces, the "Mapp and Lucia" stories, have transformed his reputation and led to the reissue of his best comic novels. Now, Jack Adrian, an authority on twentieth-century popular fiction, has brought together twenty-six of Benson's delightful short stories, some of which are newly discovered, and most of which have never been published in book form. In Desirable Residences we find all of Benson's archetypical characters--absurd, gossipy socialites, appalling meddlers, and hapless males--sketched with a fine satirical wit, and juxtaposed in hilarious short stories. Benson's typical tale involves the humorous misadventures of his sorry, but lovable crew of main characters. One story relates the catastrophe which ensues when a pair of misogynistic bachelors mistakenly think they have solved their domestic problems by investing in the latest household appliances ("electricity," they hoped, would "take the place of a staff of greedy, incompetent females"). Adrian includes several of Benson's society stories (such as "The Drawing Room Bureau," in which a feud develops between two fashionable women over who will be able to divulge the most classified information from their "sources" at the War Office), and four depicting "The Diversions of Amy Bondham," a meddlesome social climber who is revived on her death bed when her husband reads to her the lineage of the Duke she has just visited. A typically pointed Benson passage has Amy complaining of the dreary social scene: "There had been so many pianists, so many singers, so many operations, and though a play by West African cannibals was a novelty, there would be risks in asking these artists to her house....She would never forgive herself if any of her guests were killed or ea
The collection centers on the social blunders and interpersonal rivalries of Edwardian and interwar British society, often triggered by minor domestic or status-based conflicts. These stories follow a cast of gossipy socialites, meddlesome climbers, and hapless bachelors as they navigate the rigid expectations of their class. Benson employs a third-person narrative framework to observe the absurdity of his characters' ambitions, highlighting the friction between their inflated self-importance and their mundane failures. The world is defined by the rigid social hierarchies of the early twentieth century, where a misplaced invitation or a failed household appliance can result in total social catastrophe.
Readers and critics frequently highlight Benson’s ability to capture the specific, biting humor of the British social scene with precision and economy. Discussion often centers on the author's skill in balancing lighthearted comedy with a cynical view of human vanity. Many appreciate the inclusion of previously uncollected works, which provide a broader view of the author's range beyond his more famous series. The pacing is noted for being brisk and focused, ensuring that the satirical punchlines land effectively within the short story format. Fans of classic social satire often point to these stories as essential reading for understanding the author's mastery of character-driven comedy.
Page Count:
288
Publication Date:
1991-01-01
Publisher:
Oxford Paperbacks
ISBN-10:
0192829696
ISBN-13:
9780192829696
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