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Terence was the outstanding comedic playwright of his generation and one of the founding fathers of European comic drama. All six of his plays survive and are collected in this volume. Acknowledged as classics soon after his early death, admired above all for their style but also for their insights into human nature, these plays have been imitated by authors as diverse Molière and P.G. Wodehouse. They deal with the love-life of adolescent boys and with associated tensions in their relations with their fathers, showing love triumph over obstacles of various kinds. The action is enlivened by a number of stock characters such as scheming slaves, parasites, prostitutes, pimps, and boastful soldiers, and stock situations such as the rediscovery of foundlings. Rome had reached a pinnacle of power in the Mediterranean world, and the plays reflect tensions that were in the air at the time. But they are also true to universal elements of human experience, and audiences today can readily engage with the issues they raise. This new translation with introduction and explanatory notes aims to be both accurate and idiomatic, and to convey the liveliness of the plays as pieces written for the theatre.
The central conflict involves the romantic entanglements of young men and the subsequent friction created within their familial structures. Terence presents a series of scenarios where protagonists must navigate social and domestic obstacles to secure their desired outcomes. The narrative framework utilizes the conventions of Roman comedy, focusing on the interplay between young lovers, stern fathers, and various archetypal figures. These plays operate within the rigid social hierarchies of the Roman world, utilizing wit and deception to resolve complex interpersonal dilemmas.
Readers and critics frequently highlight the enduring influence of Terence on the development of Western comic drama. Discussion often centers on the playwright's ability to balance specific Roman cultural tensions with themes that remain recognizable to modern audiences. Scholars appreciate the translation's focus on maintaining the theatrical vitality of the original scripts rather than treating them as static historical artifacts. Many note that the plays serve as a foundational reference point for understanding the evolution of character-driven comedy. The collection is widely regarded as a primary resource for those interested in the structural mechanics of ancient dramatic writing.
Page Count:
338
Publication Date:
2008-04-09
Publisher:
Oxford University Press
ISBN-10:
019282399X
ISBN-13:
9780192823991
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