
Though written near the end of his career, The Tempest stands first in Shakespeare's First Folio of 1623. Recently redefined by modern criticism as a romance, the play has been read as an escapist fantasy, a political allegory, and a celebratory fiction. Most often, however, The Tempest is interpreted as a summary of Shakespeare's view of his own art of playwriting. In this edition, Stephen Orgel reassesses the evidence for each of these critical speculations, and finds the play to be both more open and more historically determined than traditional views have allowed. The text has been newly edited, and includes a stage history of its production, from the radical revisions of Davenant, Dryden, and Shadwell to the recent stagings of Peter Hall, Jonathan Miller, and Peter Brook.
A powerful sorcerer orchestrates a shipwreck to bring his enemies to a remote island, setting the stage for a complex reckoning of power and forgiveness. Prospero, the deposed Duke of Milan, utilizes his command over the island's spirits to manipulate the survivors of the wreck, including his usurping brother and the King of Naples. His objective is to secure his daughter's future and reclaim his lost status, while facing the internal conflict of whether to exact vengeance or grant mercy. The narrative unfolds through a dramatic structure that blends elements of magic, political intrigue, and personal transformation within the isolated, supernatural environment of the island.
Discussion often centers on the play's status as a meta-theatrical commentary on Shakespeare's own career and the nature of creative control. Readers frequently highlight the ambiguity of Prospero's morality, debating whether his actions constitute liberation or continued subjugation of the island's inhabitants. Critics often examine the balance between the play's fantastical atmosphere and its grounded political concerns regarding authority and legitimacy. The work remains a focal point for scholars interested in how the text adapts to changing historical contexts and modern performance interpretations.
Page Count:
258
Publication Date:
1998-01-01
Publisher:
Oxford University Press
ISBN-10:
0192834142
ISBN-13:
9780192834140
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