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The Woman in White (1859-60) is the first and greatest "Sensation Novel." Walter Hartright's mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, kidnapping, and international intrigue. This new critical edition is the first to use the original manuscript of the novel. John Sutherland examines Collins's contribution to Victorian fiction, traces his practices as a creator of plot, and provides a chronology of the novel's complicated events.
A chance midnight encounter between a drawing master and a mysterious woman dressed in white initiates a complex web of deception and peril. Walter Hartright finds himself entangled in a conspiracy involving identity theft, forced confinement, and international intrigue after meeting the spectral figure on a lonely road. His objective is to protect the women he loves from the machinations of a calculating villain, forcing him to navigate the rigid social hierarchies and legal constraints of Victorian England. The narrative employs a multi-perspective framework, utilizing various testimonies and documents to reconstruct the events surrounding the central mystery.
Readers and critics frequently identify this work as the definitive example of the Victorian sensation novel. Discussion often centers on the innovative use of multiple narrators, which allows the author to present conflicting perspectives on the same events. The pacing is noted for its ability to maintain tension through intricate plot twists and the gradual revelation of secrets. Many observers highlight the effectiveness of the atmosphere, which blends realistic social observation with gothic elements to create a sense of persistent unease. The thematic exploration of women's vulnerability under nineteenth-century law remains a primary point of interest for modern scholars and casual readers alike.
Page Count:
736
Publication Date:
1998-07-09
Publisher:
Oxford University Press
ISBN-10:
0192834290
ISBN-13:
9780192834294
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