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The Italian Renaissance was a pivotal period in the history of Western culture during which artists such as Masaccio, Donatello, Fra Angelico, and Leonardo created some of the world's most influential and exciting works in a variety of artistic fields. Here, Evelyn Welch presents a fresh picture of the Italian Renaissance by challenging traditional scholarship and placing emphasis on recreating the experience of contemporary Italians: the patrons who commissioned the works, the members of the public who viewed them, and the artists who produced them. Art and Society in Italy 1350-1500 dramatically revises the traditional story of the Renaissance and takes into account new issues that have greatly enriched our understanding of the period. From paintings and coins to sculptures and tapestries, Welch examines the issues of materials, workshop practices, and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social, and political behavior.
This book investigates how the social, political, and economic structures of 14th and 15th-century Italy shaped the production and reception of Renaissance art. Evelyn Welch, a professor of Renaissance studies, utilizes a multidisciplinary approach to move beyond traditional aesthetic analysis. She argues that art must be understood through the lens of its original context, including the specific materials used, the mechanics of workshop production, and the complex power dynamics between patrons and creators.
What You Will Find
Scope Limits
Scholars and students frequently cite this work as a foundational text for understanding the material culture of the Italian Renaissance. Readers often note that the prose is accessible yet rigorous, making it a standard reference for those seeking to move beyond traditional art historical narratives.
Page Count:
352
Publication Date:
1997-05-08
Publisher:
Oxford University Press
ISBN-10:
019284203X
ISBN-13:
9780192842039
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