
This innovative introduction examines the profession of the nineteenth-century American artist and audience reception of their work. Works of art by familiar names such as Thomas Eakins and Winslow Homer are discussed in detail within the larger arena of visual culture, as are key works by recently discovered artists such as Harriet Hosmer. The thematic approach focuses on portraiture, landscape painting, the American West, and commemorative art, then goes on to examine the ways in which painters responded to major social and economic changes resulting from the rapid transformation from an agriculturally-based former colony to an industrialized imperial power with an evolving democracy.
This text investigates how the professional identity of the nineteenth-century American artist and the reception of their work evolved alongside the nation's rapid transformation from an agrarian society to an industrialized global power. Barbara Groseclose, a scholar of American art, utilizes a thematic framework to analyze how visual culture reflected the shifting social, economic, and political landscape of the United States. By integrating both canonical figures and marginalized artists, the author provides a comprehensive examination of the intersection between artistic production and national identity.
What You Will Find
Scope Limits
Scholars and students frequently cite this work as a foundational introduction to the complexities of nineteenth-century American visual culture. Readers often note the clarity of the thematic approach, which effectively bridges the gap between individual artistic achievement and broader historical trends.
Page Count:
240
Publication Date:
2002-02-01
Publisher:
Oxford University Press
ISBN-10:
019284282X
ISBN-13:
9780192842824
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