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This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions.Well-known artists such as Margaret Preston, Rover Thomas, and Sidney Nolan are all discussed, as are the natural history illustrators, Aboriginal draughtsmen, and pastellists, whose work is only now being brought to light by new research. Taking the European colonization of the continent in 1788 as his starting point, Sayers highlights important issues concerning colonial art and women artists in this fascinating new story of Australian art.
This book investigates the development of Australian visual culture by examining the complex intersection between Indigenous Aboriginal traditions and European colonial artistic practices. Andrew Sayers, a former director of the National Portrait Gallery of Australia, utilizes his extensive curatorial background to synthesize a historical narrative that spans from the 1788 colonization to the contemporary era. He argues that Australian art is not a singular tradition but a multifaceted dialogue between disparate cultural perspectives and evolving environmental influences.
What You Will Find
Scope Limits
Experts recognize this work as a foundational survey that successfully integrates Indigenous and colonial perspectives into a cohesive historical framework. Readers frequently note the clarity of the prose, which makes complex art-historical developments accessible to both students and general enthusiasts.
Page Count:
264
Publication Date:
2001-07-19
Publisher:
Oxford University Press
ISBN-10:
0192842145
ISBN-13:
9780192842145
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