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New Music 89 both reviews and responds to the British new music scene of 1987-1988. Continuing in the general format of the previous two volumes, it reflects the wealth of activity in British contemporary music-making. Unlike the previous volumes, emphasis is placed on no specific performers or composers, though the latter certainly come to the fore in a much enlarged portfolio comprising both complete scores and substantial extracts from previously unpublished works performed at the 1988 Darmstadt summer course. Essays are devoted to the work of composers Harrison Birtwistle and John Tavener. A selective review of the year by Lynne Williams raises both the fundamental issue of spirituality in today's music and the more topical one of the British response to Australia's bicentennial celebrations. The volume is completed by extensive listings of major broadcasts and performances.
This volume investigates the state of the British contemporary music scene during the 1987-1988 period through a collection of critical essays and primary source materials. Editors Michael Finnissy and Roger Wright compile a survey of musical activity, focusing on the creative output and cultural context of the era. The work serves as a record of performances, broadcasts, and compositional trends, providing a snapshot of the artistic climate in late 1980s Britain.
What You Will Find
Scope Limits
Experts and musicologists view this series as a valuable archival resource for documenting the specific trends and compositions of the late 1980s British new music scene. Readers frequently note the technical nature of the included scores, which makes the text particularly useful for scholars and practitioners of contemporary classical music.
Page Count:
80
Publication Date:
1990-01-01
Publisher:
Oxford University Press
ISBN-10:
0193119331
ISBN-13:
9780193119338
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