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This introductory text for students covers all the most important aspects of serial composition, including full discussion of such topics as melody writing, twelve-note harmony, polyphonic writing, forms, stylistic factors, avant-garde techniques, and free twelve-note composition. The author's intention is to avoid a pedantic exposition of serial principles and to include many technical details which are also valid in non serial contexts, being the common property of contemporary musical languages. Richard Smith Brindle (born 1917) is a native of Lancashire. He studied at the University College of North Wales, Bangor, in Rome at the Academia di Santa Cecilia, and in Florence privately with Dallapiccola. His own music is influenced by he Italian avant-garde school of berio, Maderna, non, and others. From 1970 until his retirement in 1985 he was Professor of Music at the University of Surrey.
This text investigates the technical principles and practical application of serial composition within the context of contemporary musical language. Reginald Smith Brindle, a composer and former Professor of Music at the University of Surrey, draws upon his extensive background in the Italian avant-garde tradition to provide a structured guide. The book argues that serial techniques are not merely abstract exercises but are foundational tools that share common ground with broader modern musical practices.
What You Will Find
Scope Limits
Experts recognize this work as a foundational pedagogical text for students seeking to understand the mechanics of serialism. Readers frequently note that the prose balances technical rigor with a practical approach that avoids overly pedantic academic theory.
Page Count:
218
Publication Date:
1968-12-31
Publisher:
Oxford University Press
ISBN-10:
0193119064
ISBN-13:
9780193119062
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