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Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation.Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.
This work investigates the evolution and current state of film theory by examining the fundamental concepts that define the discipline. Author J. Dudley Andrew, a prominent scholar in cinema studies, synthesizes complex theoretical frameworks—ranging from perceptual psychology to semiotics—to provide a cohesive view of how film functions as an art form. By mapping the interdependence of these concepts, the text serves as a bridge between classical film theory and contemporary analytical methods.
What You Will Find
Scope Limits
Scholars and students frequently cite this work as a foundational text for navigating the complexities of film theory. Readers often note the academic density of the prose, which is balanced by the author's ability to clarify abstract concepts for an intermediate audience.
Page Count:
238
Publication Date:
1984-01-01
Publisher:
Oxford University Press
ISBN-10:
019028126X
ISBN-13:
9780190281267
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