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A study of the music and ritual at Saint-Denis from the sixth to the sixteenth century, this book is based on an examination of the liturgical books and archival sources relating to the abbey, in particular the surviving service-books, which tell us much about the history of the music and of the Divine Office at Saint-Denis. Robertson also looks at the tropes and sequences proper to the office for Saint Denis, provides information on the performance practices, instruments, musicians, and liturgists from the abbey, and offers an account of the history of the liturgy from the Council of Torus in 567 to the pillage of the abbey by the Huguenots in 1567, thus explicating the extant liturgical codices from Saint-Denis. A fascinating and wide-ranging study, Robertson finds that the ritual and history of the abbey is also inextricably linked to the reconstruction of its various buildings, the decorations of the church, and even the monks' ambitions.
This study investigates the evolution of music and liturgical ritual at the Royal Abbey of Saint-Denis from the sixth to the sixteenth century. Anne Walters Robertson, a scholar of medieval music, utilizes a comprehensive analysis of surviving service-books and archival records to reconstruct the abbey's sonic and ceremonial landscape. Her argument posits that the development of the Divine Office was deeply intertwined with the physical architecture of the church, the political ambitions of the monks, and the broader historical shifts occurring between the Council of Tours and the Huguenot pillage.
What You Will Find
Scope Limits
Experts recognize this work as a foundational text for understanding the intersection of medieval musicology and monastic history. Scholars frequently cite the book for its rigorous archival methodology and its ability to contextualize liturgical practice within the physical and political environment of the abbey.
Page Count:
608
Publication Date:
1991-09-26
Publisher:
Clarendon Press
ISBN-10:
0193152541
ISBN-13:
9780193152540
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