
Displaced by Britten and later by Tippett after failing to fulfill the promise of his early masterpieces, composer William Walton was once regarded as a promising experimentalist and successor to Elgar. Here, Kennedy illuminates the complex and contradictory personality of Walton, whose moods ranged from self-critical, depressive, and jealous to witty, generous, and forgiving. Drawing on the composer's correspondence with friends and colleagues--including Britten, Malcolm Arnold, and André Previn, and assessing his compositions, Kennedy provides a compassionate and perceptive study of the life and music of this notable twentieth-century artist.
This biography investigates the professional decline and personal contradictions of composer William Walton, questioning how his reputation shifted in the shadow of contemporaries like Britten and Tippett. Michael V. Kennedy, a noted musicologist, utilizes a wealth of primary source material, including private correspondence and critical analysis of Walton's musical output, to construct a comprehensive portrait of the artist. The text argues that Walton's complex temperament—oscillating between self-doubt and creative brilliance—was central to both his early success and his later perceived stagnation.
What You Will Find
Scope Limits
Experts and music historians recognize this work as a balanced and compassionate study that successfully humanizes a complex artistic figure. Readers frequently note that the prose is accessible to non-specialists while maintaining the depth required for serious students of 20th-century classical music.
Page Count:
360
Publication Date:
1989-08-31
Publisher:
Oxford University Press
ISBN-10:
0193154188
ISBN-13:
9780193154186
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