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Carl Phillip Emanuel Bach (1714-1788), the best known son of Johann Sebastian Bach, was the most original composer of the period between the Baroque era and the Classical period. He was one of the most brilliant keyboard players of his day and created the modern expressive school of piano writing which particularly influenced the two great Classical masters, Hayden and Mozart. Bach's music was widely known during his lifetime and is highly esteemed in the testimonials of Haydn, Mozart, Beethoven, and many others. In this century, the music of this unique artistic personality has received increasing attention, but of the composer's seven hundred or more vocal and instrumental works, nearly half are unavailable in modern editions and approximately one third have never been published.
This collection investigates the stylistic evolution of keyboard composition during the transition from the Baroque to the Classical era through the specific works of Carl Philipp Emanuel Bach. The author, a central figure in 18th-century music, provides a technical framework for understanding the expressive keyboard techniques that bridged the gap between the polyphonic traditions of his father, Johann Sebastian Bach, and the emerging Classical style of Haydn and Mozart.
What You Will Find
Scope Limits
Musicologists and performers frequently cite this edition as a critical resource for understanding the bridge between Baroque and Classical keyboard idioms. Experts highlight the technical rigor of the scores as a foundational reference for students of 18th-century performance practice.
Page Count:
112
Publication Date:
1989-01-01
Publisher:
Oxford University Press
ISBN-10:
0193240084
ISBN-13:
9780193240087
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