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Opera in Italy and the Holy Roman empire. Promotion and patronage; Italian opera; German opera; The operas of Mozart / Anna Amalie Abert -- The operas of Haydn / H.C. Robbins Landon -- Opera in France / Martin Cooper -- Opera in other countries: English opera / Roger Fiske -- The rise of Russian opera / Gerald Seaman -- Opera in Spain / Gerald Abraham -- Church music and oratorio / Edward Olleson -- Solo song / Rosemary Hughes -- The early symphony / Egon Wellesz and F.W. Sternfeld -- The concerto / Egon Wellesz and F.W. Sternfeld -- The divertimento and cognate forms / Günther Hausswald --The rise of chamber music / Karl Geiringer -- Keyboard music / Philip Radcliffe -- Instrumental masterworks and aspects of formal design / F.W. Sternfeld.
This volume investigates the evolution of musical forms and operatic traditions across Europe during the mid-to-late eighteenth century. Edited by Egon Wellesz, the text compiles scholarly contributions from various musicologists to analyze the transition from Baroque to Classical styles. It provides a comprehensive framework for understanding how patronage, regional cultural shifts, and formal innovation shaped the musical landscape between 1745 and 1790.
What You Will Find
Scope Limits
Experts recognize this volume as a foundational reference work within the New Oxford History of Music series. Readers frequently note the academic density of the prose, which serves as a rigorous resource for music historians and advanced students of musicology.
Page Count:
744
Publication Date:
1974-01-24
Publisher:
Oxford University Press
ISBN-10:
0193163071
ISBN-13:
9780193163072
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