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Seven is based on Second Still Life for oboe and harp, which Berkeley wrote for the 2007 Presteigne Festival. That work is founded in turn on a 'short and very spare' phrase which the composer remembered from his score for the 1986 feature film Captive. In the film it marked what the composer calls 'a moment of absolute but menacing tranquility'; but in its new context, stripped of narrative, the music loses any sense of menace and rejoices in a meditative purity. Seven is the result of Berkeley's feeling that he could elaborate the material further and use contrasting voices, while still retaining an utter simplicity. As for the title, the work is for seven players - well, six and a mystery seventh; it lasts seven minutes; and it plays with the juxtaposition of seven characters and the way they can inflect lines with their own colour and individuality. (© Anthony Burton 2007)
This work investigates the potential for musical expansion and structural variation when a composer revisits and recontextualizes a singular, spare melodic phrase. Michael Berkeley, a noted British composer, utilizes his own previous compositions—specifically a film score and a chamber piece—as the foundational material for this new arrangement. The argument presented is that musical themes can be stripped of their original narrative associations to achieve a state of meditative purity while simultaneously exploring the interplay of contrasting instrumental voices.
What You Will Find
Scope Limits
Experts and musicologists frequently cite this work as a prime example of how composers can derive new meaning from existing motifs through re-orchestration. Readers often note the clarity of the prose in explaining the relationship between the numerical constraints and the resulting musical structure.
Page Count:
21
Publication Date:
2008-10-16
Publisher:
Oxford University Press Music
ISBN-10:
0193359960
ISBN-13:
9780193359963
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