This collection investigates the historical significance and musical structure of the seventeenth-century English catch, providing a comprehensive resource for performance and study. Paul Hillier, a noted conductor and musicologist, curates this volume to preserve the vocal tradition of the catch. By compiling 153 examples, including the complete works of Henry Purcell, Hillier establishes a framework for understanding the social and musical context of these compositions.

Experts and ensemble directors recognize this volume as a primary reference for early music performance. Readers frequently note the utility of the historical introduction in providing necessary context for the often bawdy and satirical lyrical content.