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SATB and piano, with optional bass and drum kitThis dynamic collection presents four jazzy settings of favourite madrigals by Thomas Morley, John Bennet, and Orlando Gibbons. The first, 'Sing we and chant it', is a relaxed jazz waltz with a compelling melody, and singers will especially revel in the rich harmonies of the expressive 'Weep, O mine eyes' setting that follows. 'Learned Poets' has a bossa nova feel with a strong rhythmic groove and characterful syncopations. The urgent rolling tempo of the fourth movement captures the text's intensity and titular call of 'Fire, fire!', also expressed by a walking bassline that continually drives towards the work's emphatic conclusion. The stylistic piano part may be played as written or serve as a guide, and a bass and drum kit part is available separately for trio accompaniment.
This collection investigates the intersection of Renaissance madrigal structures and contemporary jazz idioms through the reinterpretation of classic choral works. Bob Chilcott, a renowned composer and choral conductor, utilizes his extensive background in vocal arrangement to transform traditional polyphonic compositions into modern performance pieces. The framework presented relies on the integration of jazz harmonies, rhythmic syncopation, and instrumental accompaniment to revitalize historical vocal repertoire for contemporary ensembles.
What You Will Find
Choral directors and music educators frequently cite this collection as a standard resource for introducing jazz-inflected styles to traditional vocal groups. Experts highlight the accessibility of the piano parts and the effective balance between historical vocal lines and modern rhythmic accompaniment.
Page Count:
32
Publication Date:
2022-05-19
Publisher:
Oxford University Press Music
ISBN-10:
019355996X
ISBN-13:
9780193559967
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