This work investigates the structural and harmonic characteristics of Georg Philipp Telemann’s Sonata in G minor for oboe and keyboard. The edition, prepared by Helmut Schlövogt, provides a realized continuo part intended to facilitate performance practice for modern oboists. By analyzing the interplay between the solo melodic line and the keyboard accompaniment, the text serves as a practical guide for interpreting Baroque chamber music conventions.

Experts and performers frequently cite this edition as a standard reference for Baroque oboe repertoire. Scholars note that Schlövogt’s realization remains faithful to the stylistic expectations of the period while remaining accessible for contemporary musicians.