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American Musicians, Whitney Balliett's long-awaited "big book," contains a wealth of jazz profiles he has written for The New Yorker during the past twenty-seven years. He gives us, in this spectacular volume, his famous early portraits of Pee Wee Russell, Red Allen, Earl Hines, and Mary Lou Williams, written in their brilliant twilight years; his reconstructions of the lives of such legends as Sidney Bechet, Coleman Hawkins, Jack Teagarden, Zoot Sims, and Sidney Catlett; his brief but indelible glimpses into the daily (or nocturnal) lives of Duke Ellington and Charles Mingus; and his vivid depictions of such on-the-scene masters as Jim Hall, Ornette Coleman, Stéphane Grappelli, Elvin Jones, Art Farmer, the Modern Jazz Quartet, and Tommy Flanagan. He also includes his thoughts on such lesser known but invaluable players as Art Hodes, Jabbo Smith, Joe Wilder, Warne Marsh, Gene Bertoncini, and Joe Bushkin.American Musicians is at once a history of jazz, a biographical encyclopedia of many of its most important performers, and a model of American prose.
This volume investigates the evolution and individual contributions of jazz through a comprehensive collection of profiles documenting the lives of fifty-six influential musicians. Whitney Balliett, a long-time contributor to The New Yorker, utilizes his extensive archive of journalistic profiles to construct a historical narrative of the genre. By synthesizing decades of interviews and observations, the author provides a detailed examination of both legendary figures and lesser-known masters who shaped the American jazz landscape.
What You Will Find
Critics and music historians frequently cite this collection as a definitive record of twentieth-century jazz journalism. Readers often note that the prose style is as significant as the biographical content, marking the book as a standard for music criticism.
Page Count:
432
Publication Date:
1990-06-14
Publisher:
Oxford University Press
ISBN-10:
0195060881
ISBN-13:
9780195060881
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