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Mahalia Jackson was one of the greatest gospel singers America has ever known, the woman who almost singlehandedly brought black gospel from the churches of Chicago into the public eye. In her pink, floor-length organza gown, her black beehive piled high atop her head, and her foot-stomping, hip-swaying style, Mahalia was gospel personified. And whether she was singing in a local church, performing at Harlem's Golden Gate, or appearing on The Dinah Shore Show, her spiritual bewitchery and monumental voice were sure to lift the souls of those listening into an astonishing state of grace.Now, Jules Schwerin, the producer of Mahalia Jackson's Grammy award-winning record for best gospel and soul in 1976 and the creator of a highly acclaimed film documentary on Mahalia, brings us a firsthand account of the Queen of Gospel, based on his interviews with Mahalia. We hear Mahalia as she remembers the local preacher who influenced her style: "There was a way that he would preach, would have a singing tone in his voice, that was sad. And it done something to me....It is the basic way that I sing." We follow Mahalia to Chicago, where her partnership with Thomas A. Dorsey (the Father of Gospel) brought her local fame, and where a young disc jockey named Studs Terkel invited her to appear on his radio program, successfully introducing her and gospel music to the airwaves. (As he recalls, "Watching her in a church...her relationship to the congregation was something to experience. You didn't forget the call-and-response, the give-and-take; she didn't sing with her voice alone, it's the body, the hands, the feet.") We hear her sing at the Montgomery, Alabama, boycott for Rosa Parks (the woman who had refused to move from the white section of a bus). We feel her performance of "I Been 'Buked and I Been Scorned" unite and uplift the thousands gathered at the Second March on Washington ("I reached out and touched a chord...lifted the rhythm to a gospel beat...and joy overflowed").
This biography investigates the life and cultural impact of Mahalia Jackson, examining how she transitioned gospel music from localized church settings into the mainstream American consciousness. Jules Schwerin, a producer who worked closely with Jackson and directed a documentary on her life, utilizes primary source interviews and personal recollections to construct this narrative. The book argues that Jackson’s unique vocal style and physical performance were rooted in the traditions of the Black church, which she successfully adapted for radio, television, and the civil rights movement.
What You Will Find
Critics and music historians recognize this work as a vital primary source due to the author's direct access to the subject. Readers frequently note that the inclusion of Jackson's own voice provides an intimate, authentic perspective on the development of gospel music in the twentieth century.
Page Count:
224
Publication Date:
1992-09-10
Publisher:
Oxford University Press
ISBN-10:
0195071441
ISBN-13:
9780195071443
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