
This book looks at how differences among women have been textually represented at a variety of historical moments and in a variety of cultural contexts, including Victorian mainstream fiction, African-American mulatto novels, late twentieth-century lesbian communities, and contemporary country music. Sororophobia designates the complex and shifting relations between women's attempts to identify with other women and their often simultaneous desire to establish and retain difference. Michie argues for the centrality to feminism of a paradigm that moves beyond celebrations of identity and sisterhood to a more nuanced notion of women's relations with other women which may include such uncomfortable concepts as envy, jealousy, and competition as well as more institutionalized ideas of difference such as race and class. Chapters on literature are interspersed by "inter-chapters" on the choreography of sameness and difference among women in popular culture.
This book investigates the inherent tensions between identification and differentiation in women's relationships as represented across diverse literary and cultural texts. Helena Michie, a scholar in gender and literary studies, utilizes a multidisciplinary framework to analyze how concepts of sisterhood are complicated by internal conflicts such as envy, competition, and jealousy. By examining both canonical literature and popular cultural artifacts, she argues that feminism must move beyond idealized notions of unity to address the structural and psychological realities of difference.
What You Will Find
Scholars in the field of gender studies frequently cite this work for its nuanced approach to the complexities of female interpersonal dynamics. It is recognized as a significant contribution to feminist theory that successfully bridges the gap between literary analysis and cultural studies.
Page Count:
224
Publication Date:
1992-05-28
Publisher:
Oxford University Press
ISBN-10:
0195073878
ISBN-13:
9780195073874
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