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When the first issue of Private Eye was published in 1961, not many people thought it would last more than a few months. This 1971 biography of the periodical describes how the magazine came into being with Richard Ingrams portraying the unlikely editorial collaboration of himself, William Rushton, Christopher Booker, Paul Foot, Peter Cook, Claud Cockburn and many other pseuds of Greek Street. The selections include cartoons, the Colour Section, Lunchtime O'Booze, Glenda Slag, Knacker of the Yard, Baillie Vass, The Last Days of Macmillian, Mrs. Wilson's Diary, the Profumo Affair, the Hal Woolf story, Barry McKenzie, Grocer Heath, and news that no other British newspaper would print. This is the story of how it became England's most sued magazine defying boycotts by advertisers and big distributors with enviable agility and wit.
This work investigates the origins and survival of the satirical magazine Private Eye during its first decade of publication. Richard Ingrams, a founding editor of the periodical, provides an insider account of the editorial dynamics and political climate that allowed the publication to persist despite financial instability and legal challenges. The text utilizes a collection of representative content, including cartoons and recurring columns, to illustrate the magazine's role in British media during the 1960s.
What You Will Find
Scope Limits
Readers and historians frequently cite this text as a primary source for understanding the development of British satirical journalism in the post-war era. Experts highlight the book's value in documenting the specific cultural and political tensions that defined the magazine's early editorial strategy.
Page Count:
288
Publication Date:
1971-01-01
Publisher:
Penguin; Allen Lane
ISBN-10:
0140033572
ISBN-13:
9780140033571
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