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Bartholomew Fair has a twofold interest. It furnishes a picture, inimitable in its varied realism, of one of the most characteristic scenes of Elizabethan London. It also reflects not a little the personality of Jonson as he moved, a man among men, and enjoyed to the full the rough, hearty life of the middle and lower classes of the metropolis. Consequently, though the play is not artistic in the highest sense, and is avowedly light in character, it holds a place of importance in Jonson's work and in the Elizabethan drama. Of the playwrights of his time, Jonson especially made London his province and of all his plays Bartholomew Fair is the most local in atmosphere. This quality, though constituting the chief excellence of the comedy, is to-day the greatest hindrance to an intelligent appreciation of it. Accordingly, in the Introduction and the Notes I have dwelt particularly on what concerned the life and thought of the people. In such a study contemporary literature, as well as later scholarship, is of course invaluable, and much of the Introduction and Notes will be found to be but a restatement, and a bringing together, of what is not new, nor altogether unfamiliar.
A chaotic convergence of London society at the Smithfield market serves as the catalyst for a sprawling, multi-layered comedy of errors. Jonson tracks a diverse cast of characters—from puritanical hypocrites to opportunistic con artists—as they navigate the sensory overload and moral ambiguity of the annual fair. The protagonist, if one can be identified in such an ensemble, is the collective spirit of the city itself, which acts as a crucible for human folly. The narrative framework relies on rapid-fire dialogue and overlapping subplots that test the logical constraints of the characters' social standing and personal integrity. The play functions as a satirical mirror, forcing the audience to observe the friction between rigid social expectations and the raw, unvarnished reality of urban life.
Discussion often centers on the play's dense, realistic portrayal of London life, which serves as both its greatest strength and a challenge for modern readers. Readers frequently highlight the sheer volume of characters and the frenetic pacing that defines the experience of the fair. Critics often note that while the play lacks the traditional structural unity found in Jonson's other works, its chaotic energy is intentional and thematic. The work is widely regarded as a significant document for understanding the social dynamics of the period. Many readers find the satirical bite directed at contemporary figures and institutions to be particularly sharp and enduring.
Page Count:
159
Publication Date:
1972-01-01
Publisher:
Oliver and Boyd
ISBN-10:
0050025945
ISBN-13:
9780050025949
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