These three plays explore the intersection of historical power, human identity, and the transformative nature of oral storytelling. Each play functions as a distinct exploration of the human condition, utilizing different narrative frameworks to examine the complexities of Indian society. Karnad employs historical allegory, mythological inquiry, and folk tradition to challenge the protagonist's sense of self and their relationship to the established order. The works operate within the constraints of the stage, utilizing dialogue and symbolic action to navigate themes of political instability, physical incompleteness, and the fluidity of truth.

Discussion often centers on Karnad's ability to synthesize classical Indian motifs with modern dramatic structures. Readers frequently highlight the intellectual depth of Tughlaq as a political allegory, while Hayavadana is praised for its innovative use of masks and traditional performance styles. Critics often note that Naga-Mandala serves as a significant contribution to the preservation of oral storytelling traditions within a written medium. The collection is widely regarded as a foundational text for those interested in the evolution of South Asian theater and the versatility of the playwright's craft.