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Product Description Published two weeks after Vladimir Nabokov’s seventieth birthday, Ada, or Ardor is one of his greatest masterpieces, the glorious culmination of his career as a novelist. It tells a love story troubled by incest, but it is also at once a fairy tale, epic, philosophical treatise on the nature of time, parody of the history of the novel, and erotic catalogue. Ada, or Ardor is no less than the supreme work of an imagination at white heat. This is the first American edition to include the extensive and ingeniously sardonic appendix by the author, written under the anagrammatic pseudonym Vivian Darkbloom. One of the twentieth century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899. He studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, where he launched a brilliant literary career. In 1940 he moved to the United States, and achieved renown as a novelist, poet, critic, and translator. He taught literature at Wellesley, Stanford, Cornell, and Harvard. In 1961 he moved to Montreux, Switzerland, where he died in 1977. “Nabokov writes prose the only way it should be written, that is, ecstatically.” ―John Updike About the Author One of the twentieth century’s master prose stylists, Vladimir Nabokov was born in St. Petersburg in 1899. He studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, where he launched a brilliant literary career. In 1940 he moved to the United States, and achieved renown as a novelist, poet, critic and translator. He taught literature at Wellesley, Stanford, Cornell, and Harvard. In 1961 he moved to Montreux, Switzerland, where he died in 1977.
The narrative centers on the lifelong, transgressive romantic entanglement between Van Veen and his sister Ada, set against the backdrop of a bifurcated, alternate-history Earth. Van Veen, a scholar and psychologist, pursues a decades-long relationship with his cousin-turned-sister, Ada, navigating the social and moral taboos of their aristocratic upbringing. The narrative is presented through a complex, self-referential framework that functions as a memoir, a parody of the Victorian novel, and a meditation on memory. The protagonists operate within a world defined by its own peculiar geography and history, where the boundaries between reality and artifice are constantly blurred by the author's intricate prose. The story follows their physical and intellectual development as they attempt to reconcile their personal desires with the constraints of their family lineage and the passage of time.
Discussion often centers on the extreme linguistic density and the challenging, often polarizing nature of the prose. Readers frequently highlight the work's intricate structure, noting that it functions as both a parody of the family chronicle and a serious philosophical investigation into human consciousness. Critics often debate the effectiveness of the world-building, which relies on a surreal, alternate-history setting to mirror the internal states of the protagonists. Many readers find the narrative pacing demanding, requiring multiple readings to fully grasp the layers of allusion and irony embedded in the text. The work remains a focal point for those interested in the mechanics of metafiction and the limits of the novel form.
Page Count:
480
Publication Date:
1971-01-01
Publisher:
Penguin
ISBN-10:
0140030522
ISBN-13:
9780140030525