
Here is rock music as both social phenomenon and artistic achievement. In discussing its social aspects, Robert Christgau investigates rock music's appeal to its audience. In examining its achievement, he evaluates its worth as art and as invention.Among much else, Christgau looks at the beginnings of rock, the extra-musical themes that are bound up in it (especially sexism and politics), the significance of individual artists, and the meaning of current trends. The result is a book that ranges from the days of flower power to the new androgyny and covers an extraordinary variety of performers, among them Chuck Berry, Bob Dylan, the Rolling Stones, the Beatles, Grand Funk Railroad, Bette Midler, and the New York Dolls. [from back cover]
This collection investigates the dual nature of rock music as both a significant social phenomenon and a legitimate form of artistic achievement. Robert Christgau, a prominent music critic, utilizes his extensive experience writing for publications like The Village Voice to analyze the cultural impact of rock during a transformative era. He presents a framework that balances the sociological appeal of the music with a critical evaluation of its aesthetic and inventive qualities.
What You Will Find
Scope Limits
Critics and music historians frequently cite this work as a foundational text in the development of rock journalism. Readers often note the sharp, opinionated prose style that characterizes Christgau's approach to evaluating popular culture.
Page Count:
352
Publication Date:
1973-11-30
Publisher:
Penguin Books
ISBN-10:
0140037624
ISBN-13:
9780140037623
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