A reclusive painter attempts to escape his fame by assuming the identity of his deceased valet, only to find himself trapped in the complications of his own funeral arrangements. Priam Farll, a celebrated artist who has spent decades living in isolation abroad, returns to England with a desire for anonymity. Upon the sudden death of his valet, Farll allows the world to believe he is the one who has passed away, leading to a state funeral in Westminster Abbey. The narrative follows his struggle to maintain this new, humble existence while navigating the absurd social consequences of his supposed death and the subsequent public mourning for a man he never truly was.

Readers and critics frequently highlight the sharp wit and observational humor present throughout the narrative. Discussion often centers on the absurdity of the central premise and how effectively the author uses it to critique the superficiality of fame. The pacing is generally noted as brisk, allowing the comedic misunderstandings to unfold with logical consistency despite the farcical situation. Many readers appreciate the balance between the protagonist's personal growth and the external chaos caused by his deception. The work remains a notable example of early 20th-century satirical fiction that maintains its relevance through its focus on human vanity.