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The Marvelous Illusion: Morton Feldman's The Viola In My Life 1-4 Constitutes A Detailed Study Of Four Of Feldman's Works Composed Between 1970-71. These Compositions Are Analyzed From Multiple Perspectives Including Those Of Pitch/interval, Time And Tone Color. Framing The Analytical Study Of These Works Is A Discussion Of Feldman's Aesthetic Position Vis-à-vis His Contemporaries, Both Those With Similar Perspectives, As Well As Those Whose Work Represented A Very Different Aesthetic Viewpoint. Feldman Was A Member Of The So-called New York School Of Composers That Included John Cage, Christian Wolff And Earle Brown. The Book Contains An Exploration Of The Shared Interests Of These Composers. In Addition It Contains An Extensive Discussion Of Shared Concerns Among Those Composers And Members Of The New York Schools Of Painting And Poetry-- Provided By Publisher.
This book investigates the compositional techniques and aesthetic philosophy of Morton Feldman through a focused analysis of his four-part work, The Viola in My Life. Author Thomas DeLio, a scholar of contemporary music, utilizes technical musicological analysis to examine how Feldman's work reflects the broader artistic climate of the mid-20th century. By situating Feldman within the New York School, the text argues that his specific approach to pitch, interval, and tone color represents a distinct departure from the prevailing musical trends of his contemporaries.
What You Will Find
Experts identify this text as a specialized resource for musicologists and students of 20th-century avant-garde composition. Readers frequently note the technical density of the prose, which assumes a foundational knowledge of music theory and contemporary compositional practices.
Page Count:
0
Publication Date:
2024-01-01
Publisher:
New York : Oxford University Press,
ISBN-10:
0197759963
ISBN-13:
9780197759967
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