
At the height of his career and the zenith of his creative powers, Henry James returned to works he had written up to thirty-five years before and "wrote them over" for the New York edition of his novels and tales (1907-1909). The first detailed study of the subject, this book uses new material to tell the story of James's heroic renewed commitment to his oeuvre. It examines the revision of particular works, shedding new light on interpretative controversies (especially with The Portrait of a Lady and Daisy Miller), and attends to questions of principle raised by the paradoxical processes of the reviser. Revealing James's painful struggle for perfection, the study illuminates his genius as a framer of sentences and a master of dramatic nuance. With both critical and biographical approaches, this vivid portrait of James's achievement will appeal to students of James and the novel.
This study investigates the motivations and technical processes behind Henry James's extensive revision of his earlier works for the New York Edition. Philip Horne, a scholar of Jamesian literature, utilizes archival materials and primary source analysis to reconstruct the author's late-career commitment to his own bibliography. The book argues that these revisions represent a deliberate, often arduous pursuit of stylistic perfection that fundamentally reshaped the reception of his earlier novels and tales.
What You Will Find
Scholars and critics recognize this work as a foundational text for understanding the editorial history of Henry James's canon. The prose is noted for its academic rigor and its ability to bridge the gap between biographical detail and formal literary analysis.
Page Count:
392
Publication Date:
1991-02-21
Publisher:
Clarendon Press
ISBN-10:
0198128711
ISBN-13:
9780198128717
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