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Instruments of the violin family are well known to be exceptionally valuable if they are the work of an Italian master such as Stradivari or Guarneri. Unfortunately, in common with many other antique articles of value, the forger, the defrauder, and the thief operate in the world of the violin in a very conspicuous way. With varying degrees of skill, labels are altered, certificates of origin are spuriously created, new instruments are even disguised to look old and reproduce the features of an old master. Buyers, dealers, and even auction houses can easily make distressing and very expensive mistakes. This book detects the background to this fraudulent activity and explains how the law applies to it. Much of what is said applies to the antiques world generally, but there are specific and pressing problems relating to string instruments that have not been analyzed in detail before and with which this book is particularly concerned.
This book investigates the pervasive nature of fraud, forgery, and theft within the high-stakes market for antique string instruments. Author Brian W. Harvey, a legal expert, examines the intersection of art history and criminal law to explain how illicit practices undermine the integrity of the violin trade. By analyzing the methods used to disguise modern instruments as masterworks, the text provides a framework for understanding the legal liabilities faced by buyers, dealers, and auction houses. The work serves as a comprehensive guide to the regulatory and ethical challenges inherent in the antique market.
What You Will Find
Experts recognize this work as a foundational text for understanding the legal complexities of the instrument trade. Readers frequently note the clarity with which the author bridges the gap between technical musical knowledge and legal doctrine.
Page Count:
136
Publication Date:
1993-01-07
Publisher:
Oxford University Press
ISBN-10:
0198163088
ISBN-13:
9780198163084
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