This treatise investigates the foundational principles and technical execution of 15th-century Italian court dance as codified by a master practitioner. Guglielmo Ebreo of Pesaro, a prominent dancing master of the Italian Renaissance, provides a comprehensive framework for the art of movement, blending philosophical theory with practical instruction. The text serves as a primary source document, offering insight into the social and artistic expectations of the period's elite courts through the lens of a professional performer.

Experts identify this volume as a foundational text for the study of historical dance and Renaissance performance culture. Scholars frequently note the academic rigor of the translation and the utility of the supplementary appendices for researchers and practitioners alike.