
The late fifteenth-century musical manuscript preserved at the abbey of Montecassino is one of the most important musical manuscripts of the period. Known as MS871, it contains an international repertoire of sacred and secular music performed at the Argonese Court of Naples in the second half of the fifteenth century. The liturgical music includes hymns, psalms, Magnificants, and Lamentations by French, Italian, and Spanish composers. The secular compositions comprise French chansons, Italian ballate strambotti, and Spanish canciones. Many of the compositions are unique to this manuscript. This edition comprises a study of the origins and physical state of the manuscript; a musical and literary description of the 141 surviing compositions; musical transcriptions designed to provide a practical, performing edition as well as a scholarly rendering of the original text; a critical commentary on each piece with details of the musical and literary cocordances; and a bibliography.
This work investigates the historical significance and musical content of the Montecassino MS 871, a critical repository of late fifteenth-century European court music. Isabel Pope and Masakata Kanazawa provide a comprehensive analysis of this manuscript, which served as a primary musical source for the Aragonese Court of Naples. The authors utilize codicological examination and musicological transcription to argue for the manuscript's importance as an international bridge between French, Italian, and Spanish musical traditions.
What You Will Find
Musicologists and historians regard this edition as a foundational resource for understanding the performance practices of the Aragonese Court. Experts frequently highlight the meticulous nature of the transcriptions and the depth of the critical commentary provided by the authors.
Page Count:
700
Publication Date:
1979-04-26
Publisher:
Oxford University Press
ISBN-10:
0198161328
ISBN-13:
9780198161325
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