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Very Short Introductions: Brilliant, Sharp, Inspiring The world teems with different kinds of music - traditional, folk, classical, jazz, rock, pop - and each type of music tends to come with its own way of thinking. Drawing on a wealth of accessible examples ranging from Beethoven to Chinese zither music, this Very Short Introduction considers the history of music and thinking about music, focussing on its social and cultural dimensions. Nicholas Cook balances the Western Classical traditions within the context of many other musical cultures in today's world, tracing the way in which their development since the eighteenth century has conditioned present-day thinking and practice both within and beyond the West. He also considers the nature of music as a real-time performance practice; the role of music in contexts of social and political action; and the nature of musical thinking, including the roles played in it by instruments, notations, and creative imagination. In this new edition Cook explores the impact of digital technology on the production and consumption of music, including how it has transformed participatory music-making and the music business. He also discusses music's position in a globalized world, from the role it played in historical processes of colonisation and decolonisation to its present-day significance as a vehicle of cross-cultural communication. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This book investigates the multifaceted nature of music as both a cultural practice and a social phenomenon, questioning how our historical understanding of musical traditions shapes contemporary listening and performance. Nicholas Cook, a professor of music, utilizes a broad comparative framework to analyze how Western classical traditions intersect with global musical practices. He argues that music is not merely an aesthetic object but a dynamic, real-time performance practice deeply embedded in political and social contexts.
What You Will Find
Scope Limits
Experts and readers frequently cite this work as a concise, high-level overview suitable for students and interested laypeople. The prose is noted for its ability to synthesize complex musicological concepts into an accessible format without sacrificing intellectual rigor.
Page Count:
176
Publication Date:
2021-01-01
Publisher:
OUP Oxford
ISBN-10:
0191038954
ISBN-13:
9780191038952
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